In this Issue
Jongleur
Newsletter of the Mills Music Library
University of Wisconsin-Madison
Edited by Steve Sundell with generous assistance from Geri Laudati
Published twice yearly in the Fall and Spring Semesters
Mills Music Library
728 State Street
Madison, Wisconsin 53706-1494
(608) 263-1884
music.library.wisc.edu
Email Mills Music Library
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Library Adds Bach and Beethoven Manuscripts
in Microform Edition
Two important new additions to the Musikhandschriften
aus der Staatsbibliothek zu Berlin—Preussischer Kulturbesitz
microform set are now available in the Music Library.
The Beethoven Collection, regarded as the most
important collection of that composer's autographs and transcriptions
in the world, consists of approximately 15,000 autograph works,
most of which are reproduced in color. These are supplemented by
copies of the composer's works as well as the rare music manuscripts
from Kraców. Included in the collection are autographs of
Beethoven's Symphonies 4,5,7,8,9; Piano Concertos 1-3;
the Missa Solemnis and Fidelio. An accompanying volume
provides a comprehensive index to the edition. (Microfiche 43, Ref.
ML136 B5 S743 2002).
A supplement to the Bach Collection, Die Bach-Sammlung
aus dem Archiv der Sing-Akademie zu Berlin, includes reproductions
of the manuscripts that were considered missing for decades following
the invasion of Berlin by the Red Army. In 1999, musicologist Christoph
Wolff discovered the missing collection in Kiev. It was returned
to Berlin in 2001 and is now on deposit at the Staatsbibliothek.
The Sing-Akademie, founded in 1791, emerged as
a significant center of music in the late 18th and early 19th centuries.
It was here that the Bach revival began in earnest with Mendelssohn's
production of the St. Matthew Passion.
The Sing-Akademie collection contains pieces
by twelve composers, all members of the Bach family. Included are
reproductions of manuscripts, autographs, copies, and printed music
by J.S. Bach, W.F. Bach, and C.P.E. Bach, whose work is particularly
well represented, and other 18th-century composers. Although many
of the compositions are vocal and choral works, including passions
and oratorios, there are also numerous chamber autographs by C.P.E.
Bach. An index accompanies the collection. (Microfiche 37, CD-ROM
104, Ref ML136 B5 S741 1997)
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