Vol. 10, No. 2 • Spring '04

In this Issue

Folk Collection

Director's Corner

New Resources

Volunteers

New Exhibit

Great Donations

Robert Crane

Faculty Publications

Library Hours

Jongleur Archive

This issue continues and completes the listing of print publications begun in the fall Jongleur and also provides a faculty and student discography.

• Jensen, Janet L., Julia Scherer Fraily, Jason Sifford, and Susan Buckner. "Chamber Music." American Music Teacher 48, no. 2 (1998): 38-40.
• Kautsky, Catherine. "Storytelling at the Piano." American Music Teacher 49, no. 3 (1999-2000): 20-23.
• Koza, Julia Eklund. "Corporate Profit at Equity's Expense: Codified Standards and High-Stakes Assessment in Music Teacher Preparation." Bulletin of the Council for Research in Music Education, no. 152 (2002): 1-16.
• ______. Stepping Across: Four Interdisciplinary Studies of Education and Cultural Politics. Intersections in Communications and Culture, vol. 6. New York: Peter Lang, 2003.
• ______. "Rap Music: The Cultural Politics of Official Representation." In Sound Identities: Popular Music and the Cultural Politics of Education. ed. Cameron McCarthy, et. al. 65-95. Counterpoints, Studies in the Postmodern Theory of Education, vol. 96. New York: Peter Lang, 1999.
• ______. "A Realm Without Angels: MENC's Partnerships With Disney and Other Major Corporations." Philosophy of Music Education Review 10, no. 2 (2002): 72-79.
• Miller, Richard. Review of Blue Nippon: Authenticating Jazz in Japan, by E. Taylor Atkins. Asian Music 34, no.2 (2003): 126-129.
• Nekola, Anna. Film review of The Internationale, produced and directed by Peter Miller. International Labor and Working-Class History, no. 63 (Spring 2003): 149-151.
• Potter, Pamela. "Becking, Gustav," "Besseler, Heinrich," "Birtner, Herbert," "Blessinger, Karl," "Blume, Friedrich," "Boetticher, Wolfgang," "Bose, Fritz," "Bucken, Ernst, " "Danckert, Werner," "Deutsche Musikgesellschaft," "Ehmann, Wilhelm," "Eichenauer, Richard," "Engel, Hans," "Fellerer, Karl Gustav," "Ficker, Rudolf von," "Fleischer, Oskar," "Frotscher, Gotthold," "Gerber, Rudolf," "Gerigk, Herbert," "Goslich, Siegfried," "Heinitz, Wilhelm," "Huber, Kurt," "Husmann, Heinrich," "Komma, Karl Michael," "Korte, Werner," "Kroyer, Theodr," "Lach, Robert," "Lipphardt, Walther," "Mersmann, Hans," "Moser," "Muller-Blattau, Joseph Maria," "Musicology. 4. Germany and Austria," "Nazism," "Orel, Alfred," "Osthoff, Helmuth," "Reichsmusikkammer," "Schenk, Erich," "Schering, Arnold," "Schiedermair, Ludwig," "Schmidt-Gorg, Joseph," "Schultz, Helmut," "Schunemann, Georg," "Seiffert, Max," "Senn, Walter," "Staatliches Institut fur Musikforschung," "Steglich, Rudolf," "Vetter, Walther," and "Wolf, Johannes" in The New Grove Dictionary of Music and Musicians. 2nd ed.
• ______. "Deutsche Musikwissenschaft im Nationalsozialismus aus amerikanischer Sicht." In Musikforschung - Faschismus - Nationalsozialismus. Referate der Tagung Schloss Engers (8. bis 11. März 2000), ed. Isolde v. Foerster, Christoph Hust, and Christoph-Hellmut Mahling, 89-97. Mainz: Are-Edition, 2001.
• ______. Die Deutscheste Der Künste: Musikwissenschaft Und Gesellschaft Von Der Weimarer Republik Bis Zum Ende Des Dritten Reichs. Trans. Wolfram Ette. Stuttgart: Klett-Cotta, 2000.
• ______. "From Jewish Exile in Germany to German Scholar in America: Alfred Einstein's Emigration." In Driven into Paradise: The Musical Migration from Nazi Germany to the United States. ed. Reinhold Brinkmann and Christoph Wolff, 298-321. Berkeley: University of California Press, 1999.
• ______. "Klassische deutsche Musik in den Vereinigten Staaten." In Die USA und Deutschland im Zeitalter des Kalten Krieges, 1945-1968: Ein Handbuch. ed. Detlef Junker, 686-695. Stuttgart: Deutsche Verlags-Anstalt, 2001.
• ______. Most German of the Arts: Musicology and Society From the Weimar Republic to the End of Hitler's Reich. New Haven: Yale University Press, 1998.
• ______. "The Politicization of Handel and His Oratorios in the Weimar Republic, the Third Reich, and the Early Years of the German Democratic Republic." The Musical Quarterly 85 (2001): 311-41.
• ______. Review of Composers of the Nazi Era: Eight Portraits by Michael H. Kater. Holocaust and Genocide Studies 15 (2001): 357-359.
• ______. Review of Die Schaubühne als musikalische Anstalt. Studien zur Geschichte der Schauspielmusik im 18. und 19. Jahrhundert sowie ausgewählten "Faust"-Kompositionen by Hedwig Meier. Monatshefte 92 (2000): 513-515.
• ______. Review of Kurt Weill-Studien ed. by Nils Grosch, Joachim Lucchesi, and Jürgen Schebera; Von der Zeitoper zur Broadway Opera: Kurt Weill und die Idee des musikalischen Theaters ed. by Heinz Geuen; Die Dreigroschenoper - A Facsmile of the Holograph Full Score by Kurt Weill and Bertolt Brecht, ed. Edward Harsh, The Kurt Weill Edition IV:1. Brecht Yearbook 24 (1999): 374-379.
• Potter, Pamela Maxine, and Celia Applegate. Music and German National Identity. Chicago: University of Chicago Press, 2002.
• Radano, Ronald Michael. "Jazz Since 1960." In The Cambridge History of American Music, ed. David Nicholls, 448-470. Cambridge: Cambridge University Press, 1998.
• ______. Lying Up a Nation: Race and Black Music. Chicago: University of Chicago Press, 2003.
• ______. "Narrating Black Music's Past." Radical History Review 84 (2002): 115-118.
• Radano, Ronald Michael, and Philip Vilas Bohlman eds. Music and the Racial Imagination. Chicago: University of Chicago Press, 2000.
• Schaffer, John W., and Deron McGee. Knowledge-Based Programming for Music Research. The Computer Music and Digital Audio Series, v. 13. Madison: A-R Editions, 1997.
• Schaffer, Sarah. "Listen IN! New Titles Added to Growing Recordings Collection." Music Accents (Summer 2003): 6-7.
• Stevens, John. "New Materials" TUBA Journal 26, no. 2 (Winter 1999): 52.
• Sutton, R. Anderson. "Asia: Indonesia." In Worlds of Music: An Introduction to the Music of the World's Peoples, 316-368. Belmont, CA: Schirmer/Thomson Learning, 2002.
• ______. Calling Back the Spirit: Music, Dance, and Cultural Politics in Lowland South Sulawesi. New York: Oxford University Press, 2002.
• ______. "Do Javanese Gamelan Musicians Really Improvise?" In In the Course of Performance: Studies in the World of Musical Improvisation. Ed. Bruno Nettl, and Melinda A. Russell, 69-92. Chicago: University of Chicago Press, 1998.
• ______. "Drumming in Java and Makassar, Indonesia: Structure, Process, and Experience." Asian Music Research Journal, 23 (2002).
• ______. "From Ritual Enactment to Stage Entertainment: Andi Nurhani Sapada and the Aestheticization of South Sulawesi's Music and Dance 1940s-1970s." Asian Music 29, no. 2 (Spring-Summer 1998): 1-30.
• ______. "Humor, Mischief, and Aesthetics in Javanese Gamelan Music." Journal of Musicology 15 (1997): 390-415.
• ______. "Individuality and ‘Writing’ in Javanese Music Learning." Asian Music 33, no. 1 (Fall-Winter 2001-2002): 75-103.
• ______. "Popularizing the Indigenous or Indigenizing the Popular? Television, Video, and New Music in Indonesia." Wacana seni/Journal of Arts Discourse 1 (2002).
• ______. Recording Review of Discover Indonesia: Selections From the 20-CD Series. Asian Music 33, no. 1 (Fall-Winter 2001-2002): 141-143.
• ______. Recording Reviews of Jemblung and Related Narrative Traditions of Java; Java: Tembang Sunda, poésie chantée sundanaise/Sundanese Sung Poetry; Sumatra: Musiques des Batak Karo, Toba, Simalungun; Music of Indonesia 13: Kalimantan Strings; Music of Indonesia 14: Lombok, Kalimantan, Banyumas: Little- Known Forms of Gamelan and Wayang; Music o of Indonesia 15: South Sulawesi Strings. Ethnomusicology 43 (1999): 560- 567.
• ______. Review of Dance of Life: Popular Music and Politics in Southeast Asia by Craig A. Lockard. Asian Music 30, no. 2 (Spring-Summer 1999): 149-53.
• Sutton, Richard Anderson, Endo Suanda, and Sean Williams. "Java." In The Garland Encyclopedia of World Music, vol. 4: Southeast Asia.
• Swack, Jeanne. Review of J. S. Bach and the German Motet, by Daniel R. Melamed The Journal of Musicological Research 17 (1998): 261-269.
• ______. Review of Seliges Erwägen: Passionsoratorium in neun Betrachtrungen, TWV 5:2, Georg Philipp Telemann, Herausgegeben von Ute Poetzsch. Notes: Quarterly Journal of the Music Library Association 59 (2003): 755-758.
• ______. "Modular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos." Bach Perspectives 4 (1999): 33-53.
• ______. "Music and Culture: Anti-Semitism at the Opera: The Portrayal of Jews in the Singspiels of Reinhard Keiser." The Musical Quarterly 84 (2000): 389-416.
• ______. "Johann Ernst von Sachsen-Weimar als Auftraggeber: Bemerkungen zum Stil der ‘Six Sonates à Violon seul’ (1715) von Georg Philipp Telemann." In Telemanns Auftrags- Und Gelegenheitswerke: Funktion, Wert Und Bedeutung. Telemann-Konferenz-berichte, no. 10, ed. Wolf Hobohm, Carsten Lange, Brit Reipsch, and Bernd Baselt, 53-70. Oschersleben, Germany: Ziethen, 1997.
• Torre, Robert. Review of Werke. Johann Adolf Hasse. Herausgegeben von der Hasse-Gesellschaft Bergdorf. Music Reference Services Quarterly 8, no. 3 (2004): 95-97.

Recordings

• Bermel, Derek. Soul Garden. Includes Christopher Taylor, pianist. New York: CRI CD 895.
• Bolcom, William. Twelve New Etudes. Christopher Taylor, pianist. Jonathan Digital Recordings JDR 1001.
• Brown, Velvet. Velvet Brown, Tuba. Includes Salve Venere, Salve Marte by John Stevens. Crystal Records CD692.
• Centennial Commissions: Celebrating the 100th Anniversary of the UW-Madison School of Music. Includes works by Harbison, Hagen, Ott, Tower, Larsen, Shapey, and Musgrave. University of Wisconsin-Madison, School of Music.
• Collage: Performances by Students of the University of Wisconsin-Madison School of Music. University of Wisconsin-Madison, School of Music.
• David Murray Quartet. Seasons. Includes Richard Davis, bass. Pow Wow Jazz PWD 7468.
• Davis, Richard. The Bassist: Homage to Diversity. Palmetto Records PM-2071; King Record KICJ 401.
• ______. Forest Flowers. 32 Jazz 32208.
• ______. Total Package. Marge Productions 22.
• Dembski, Stephen. On Ondine. Agenda.
• ______. Sonotropism. Music & Arts CD 1007.
• Dvorak, Antonin. Two String Quartets, Opus 34 & Opus 51. Performed by the Pro Arte Quartet. University of Wisconsin-Madison School of Music.
• Erica Mather Trio. Borderlands. Also includes Les Thimmig, tenor saxophone. Erica Mather/Muses Productions.
• ______. The Millennium Song Cycle. Also includes Les Thimmig, winds. Erica Mather/Muses Productions.
• Fields, Scott. 96 Gestures. Stephen Dembski, conductor. CRI CD2001.
• ______. From the Diary of Dog Drexel. Stephen Dembski, conductor. Rossbin RS008.
• Fulmer, Mimmi. About Time: 20th-century American Music. Centaur Records CRC 2510.
• ______. Fireflight. Innova 535.
• Great Jazz Trio. Autumn Leaves. Includes Richard Davis, bass. Village Records FFO-0014.
• Greive, Tyrone. Polish Romantic Violin-Piano Music from Late 19th and early 20th Century. Albany Records Troy 338.
• Hill, Douglas. Thoughtful Wanderings. Musicians Showcase Recordings MS1060.
• Karp, Howard. The Art of Howard Karp: Concert Recordings 1964-2000. University of Wisconsin-Madison, School of Music.
• ______. A Half-Century of Music-Making. University of Wisconsin-Madison, School of Music.
• Liszt, Franz, 1811-1886. Études d'exécution transcendante. Christopher Taylor, pianist. Liszt Digital LD005.
• Milhaud, Darius. Viola Works. Includes Christopher Taylor, pianist. Centaur CRC 2479.
• Ninth Cliburn Competition, 1993. Includes Christopher Taylor, pianist. VAI Audio VAIA 1177.
• Oakwood Chamber Players. Scenes. Includes Scenes from Sand County by Douglas Hill and Rumors by Dan Maske. Oakwood Chamber Players.
• Postcard from Madison. Volume 1. Includes performers Stephanie Jutt, Parry Karp, and Jeffrey Sykes. University of Wisconsin- Madison, School of Music E-2248.
• Postcard from Madison. Volume 2. Includes performers Stephanie Jutt, Sally Chisholm, Parry Karp, and Jeffrey Sykes. University of Wisconsin-Madison, School of Music E-2270.
• Pro Arte Quartet with Samuel Rhodes, Viola. Includes works by Sessions, Rhodes, and Mays. Albany Records TROY 569.
• Schubert, Franz. Schubert's Winterreise : A Winter Journey in Poetry, Image, and Song. Paul Rowe, baritone and Martha Fischer, piano. University of Wisconsin Press.
• Sotovento. Flor y Grana (Flower and Seed). Includes Raquel González-Paraíso. Discos Pueblo.
• ______. Paseo Mágico (Magic Walk). Includes Raquel González-Paraíso. Discos Pueblo.
• Stowe, John Chappell. The Wadsworth Organ. Ethereal Recordings ER-126.
• Swing Classics and Beyond. UW Jazz Big Band. University of Wisconsin-Madison School of Music.
• Symphonia. Symphonia Two: La Morte dell’ Oom (No Pah Intended). Includes Talisman and Cookies’ Revenge by John Stevens. Mark 2808 MCD.
• ______. Symphonia 3: Symphonia Fanatastique. Includes John Stevens as arranger, performer, and conductor. Mark 3883 MCD.
• The University of Wisconsin Marching Band and Electric Tailgate Band, Volume One. Michael Leckrone, conductor. Tailgate Records TGR-116.
• Varsity Band in Concert April 17, 1999. Michael Leckrone, conductor. University of Wisconsin SCRS773CD.
• Varsity Band in Concert April 15, 2000. Michael Leckrone, conductor. University of Wisconsin SCRS780CD.
• Varsity Band in Concert April 21, 2001. Michael Leckrone, conductor. University of Wisconsin SCRS784CD.
• Varsity Band in Concert April 13, 2002: Red, White and Brass. Michael Leckrone, conductor. University of Wisconsin SCRS787CD.
• Wisconsin Brass Quintet. Images. Includes Intrada by Douglas Hill and Urban Images by John Stevens. Mark Records 2962 MCD.