The Jongleur, newsletter of Mills Music Library

Vol. 12
Fall 2006 / Spring 2007

In this Issue

Director's Corner
A new addition to the Wisconsin Music Archives
Memorial Program for
Geri Laudati
Renovation gallery
News of retired staff members
Jongleur Archive

Jongleur

Newsletter of the
Mills Music Library.
University of Wisconsin-Madison

Edited by Ron Wiecki
with generous assistance from John Solon, Rebecca Redmann, and Matt Appleby.

Published twice yearly in the
Fall and Spring Semesters

Mills Music Library
728 State Street
Madison, Wisconsin 53706-1494
(608) 263-1884
music.library.wisc.edu
Email Mills Music Library

© 2007 Mills Music Library and the University of Wisconsin-Madison

Memorial program for Geri Laudati, late director of Mills Music Library

John Solon, with David Dies

On October 28, 2006, a Memorial Concert sponsored by University of Wisconsin–Madison Libraries and the UW–Madison School of Music was held at Music Hall in honor of Geraldine Laudati, Director of Mills Music Library, who passed away August 6, 2006.

Photo of Geri Laudati

Geri Laudati received an A.B. degree from Fairleigh Dickinson University in 1971. She earned master’s degrees in library science from Columbia University in 1973 and in musicology from the University of Michigan in 1986. Her career at Mills Music Library, University of Wisconsin–Madison, spanned four decades. She served as a temporary music librarian at Mills in 1979–1980 and in 1981, planning and implementing the conversion to OCLC cataloging for music scores and sound recordings. After heading the music library at East Carolina University in Greenville, North Carolina, Geri returned to UW–Madison in 1989 as director of Mills, and served in that capacity until her retirement in June 2006. Through Geri’s persistent and diligent acquisitions strategy, supplemented by substantial gift collections, Mills Music Library has grown to a major research collection, serving both the campus and visiting scholars from around the world.

As early as the mid-1990s, Geri engaged the library in exploring hypermedia and imaging technologies for musical scores and manuscripts with support from campus and the private sector. She guided Mills onto the World Wide Web, promoting its collections and services and facilitating access to online music databases. A new sound studio established in collaboration with the Folklore Program developed course-related curriculum materials, databases, and audiovisual products, and produced digital preservation copies of vulnerable analog tape recordings. A major Instructional Technology grant enabled the Music Library to be a leader in streaming course-related listening assignments, scores, and reading assignments via the Internet. Geri also worked with the UW Digital Collections Center and colleagues in Mills to enhance access to the Music Library’s rich special collections, among them nineteenth- and twentieth-century sheet music and archives of recorded sound.

Geri often taught a course on music research methods and materials for the UW–Madison School of Music and for the School of Library and Information Studies. She played significant roles in numerous professional organizations and curated several exhibits in the Department of Special Collections. Geri also served as acting curator of Special Collections in 2002–2003.

Geri’s directorship of Mills Music Library was characterized by an unwavering commitment to exemplary service for all library clientele, a tireless pursuit of developing exceptional library collections in music and dance, and a vision of using emerging technologies to assure broad access to the Music Library’s resources.

Program

Music (in lobby)

  • Jeanne Swack, flute. Chris Cramer, guitar
  • “In Remembrance” by Eleanor Daley
    Cantus Laudati, vocal ensemble. Bruce Gladstone, conductor

Introductions

  • Robin Rider, UW–Madison Libraries
  • Ken Frazier, UW–Madison Libraries
  • John Schaffer, UW–Madison School of Music
  • Sandy Pfahler, UW–Madison Libraries
  • “Dream with Me” by Leonard Bernstein
    Martha Fischer, voice. Bill Lutes, piano. Parry Karp, cello
  • “Pas de deux” from Souvenirs by Samuel Barber
    Martha Fischer and Bill Lutes, piano duo
  • “See How They Love Me” and “Alleluia” by Ned Rorem
    Rebecca Redmann, voice. Bill Lutes, piano
  • John Solon, UW–Madison Libraries
  • Rita Laudati Farino
  • “Ich ruf’ zu dir, Herr Jesu Christ” (BWV 639) by J. S. Bach
    Jessica Johnson, piano
  • Mary Brennan, UW–Madison Dance Program
  • Louise Robbins, UW–Madison School of Library and Information Studies
  • Concerto No. 4, II. Adagio, by Felix Janiewicz
    Tyrone Greive, violin. Ellen Burmeister, piano

Remarks by audience members

  • “Ojalá!” by Claudio Schulkin
    Elizabeth Gutierrez, piano