A database of the LP recordings manufactured by the Cuca Record Corporation of Sauk City has been established and is accessible through the Electronic Library. The database caps a collaborative effort of students and staff.
Cuca Records was founded by James Kirchstein in 1959 and actively produced LP recordings until the early 1970s. During this period Cuca recorded and released primarily polka and ethnic music on its LPs but also issued other musical styles including pop, rhythm and blues, folk, and traditional jazz. At the same time, Cuca was actively engaged in recording rock and other popular groups for release on the ubiquitous 45 rpm record. Most musicians recorded by Cuca were from Wisconsin or adjacent states. Consequently, the Cuca recordings represent a concentrated view of Wisconsin's ethnic and popular music in this period.
Recent years have witnessed surging interest in Cuca. Cuca figures prominently in Tom Tourville's “They Couldn't Tame Us”: The Wisconsin 60s Rock Discography (Fairmont, MN: Midwest Publications, 1992) and in Gary Myers’ volume, Do You Hear That Beat: Wisconsin Pop/Rock in the 50s & 60s (Downey, CA: Hummingbird Publications, 1994) . Polka From Cuca, a video by Dave Erickson (Ootek Productions, 1994) has aired several times on Wisconsin Public Television. Sarah Filzen, a student at UW–Milwaukee, wrote her master thesis entitled “The History of Cuca Records, 1959–1973: A Case Study of an Independent Record Company” on the company. Numerous Cuca rock recordings have been reissued by European record labels both on LP and compact disc since the 1980s.
Prominent musicians recorded by Cuca include blues man Earl Hooker, pop groups such as the Fendermen and the Corporation, country music legend Pee Wee King, rhythm and blues artists Birdlegs and Pauline, and Madison's dean of traditional jazz Doc Dehaven. But most notably, Cuca is known for the host of polka and ethnic musicians recorded on its label: Alvin Styczynski, Verne Meisner, Syl Liebl, the Goose Island Ramblers, John Check, Jerry Goetsch, Roger Bright, and the Edelweiss Stars, to name a few.
Jon Meyer, a graduate student in music, developed the database in 1996 from a fledgling version begun by SLIS student Mary Seim years earlier. It was modified by Steve Sundell for use on the world wide web. Sarah Filzen supplied a great deal of information on the recordings resulting from her thesis work on Cuca. Sue Dentinger of the General Library System and Don Thomson of the Division of Information Technology provided the technical expertise to make the database viable on the web.
Cuca is just one of several locally developed databases which will be made accessible through the web. Currently under construction are the Americana Sheet Music Collection, the School of Music Graduate Recital Tapes Database, the Paramount Records Database, the Wisconsin Folksong Database, and the Wisconsin Sheet Music Database.