Volume 2, No. 1 -- September 1995
Editor: Steve Sundell; with lots of help from Geri Laudati, Ann Marie Rigler, Peg Brown, Tim Noonan, Steve Kurr
Published twice yearly in September and February
Mills Music Library 728 State Street Madison, Wisconsin 53706-1494 (608) 263-1884
Welcome. The academic year 95/96 will bring many challenges to
Mills as we look forward to continued development of electronic
resources and access, to activities involving collection
assessment and preservation, and to participation in the School
of Music 100th anniversary activities.
Despite the dire predictions of last spring, we have been able to
preserve most of our operating schedule. Although Mills will
continue to open daily at 8:00 a.m., the Audio Facility will
open at 9:00 a.m., instead of 8:30. In addition, the library
will close an hour earlier (5:00 p.m.) on Friday and Saturday
evenings, and will open at noon on Saturday instead of at 10:00
a.m. We will, of course, monitor the situation, noting in
particular angry clients queuing up at the door.
The UW libraries continue to work on World Wide Web development.
While we will maintain our gopher site for a while yet, there is
a campus move towards a fully graphic environment. Towards this
end, Mills now has its own home page (http://www.library.wisc.edu/libraries/music/)
Mills staff is also involved
in the development of a hypermedia exhibit catalog, which will be
accessible in its entirety through our home page later in the
semester. Ultimately, we hope to showcase all of our special
collections in similar fashion. In addition to exposure, the
projects will provide insight into the potential for digital
imaging as a medium for collection preservation.
Other noteworthy enhancements to our electronic resources include
the ability to search MadCat by the library's classification
number [see p. 7] and the addition of several major databases to
the Electronic Library. In order to assist patrons in the
effective use these resources, the General Library System and
Mills offer a wide array of workshops [see p. 2]. We invite you
to take advantage of the scheduled sessions and to encourage your
students to do so. And of course, we are available for
course-related instruction, individual consultation, or any
bibliographic instruction you may want to present to your
classes. Feel free to contact Steve Sundell or me to arrange
such instruction.
Collection monies will be tight this year and serial
cancellations will be a reality. Because journal use will be one
of the criteria for consideration, we ask again that you please
DO NOT reshelve current or bound issues of journals you may
consult. Additional information regarding this project and its
ramifications will be forthcoming through the Music Library
Committee (Jeanne Swack (chair), Lois Anderson, Steve Dembski,
and I).
The Music Library is moving forward with its sound preservation
project and in consort with University Archives and the State
Historical Society, we are developing a campus-wide program for
collection, retention, and preservation remastering of vulnerable
sound recordings in our collections. We will contact each
department during the year for advice on prioritizing School of
Music recordings archived in Mills.
Now for the fun. As the School of Music celebrates its 100th
anniversary, Mills will participate with various exhibits in the
School of Music, in the Music Library, and in Special
Collections. We are also exploring the possibility of a spring
recital or the release of an historic recording to benefit
the Mills Music Library.
Despite these activities, our first priority continues to be
providing exemplary service to all library clientele. We welcome
your suggestions, comments, questions, and complaints. Please
let us know how we might better meet your needs.
On behalf of myself and the staff, I extend to you our best
wishes for a productive year. We look forward to seeing you
often.
Library Workshops
of interest to musicians
For a complete list of workshops, consult WiscInfo, or get a
paper list in the library
Music Databases
Music Index, MUSE (includes RILM), Library of Congress Music
Catalog
Wednesday, Sept. 13, 3:30 - 5:00
Tuesday, Sept. 26, 4:30 - 6:00
Music Library Seminar Room
B162G Memorial Library
Music and Dance
Musical Sound Recordings, Dance on Disc
Friday, Sept. 15, 10:00 - 11:00
Friday, Sept. 29, 3:30 - 4:30
Music Library Seminar Room
B162G Memorial Library
Music Resources on Interdisciplinary
CD-ROM Databases
Monday, Sept. 18, 3:30 - 5:00
Wednesday, Oct. 4, 4:00 - 5:30
Music Library Seminar Room
B162G Memorial Library
Music Resources on the Internet
Thursday, Sept. 14, 11:00 - 12:30
Wednesday, Sept. 20, 3:00 - 4:30
Tuesday, Oct. 17, 3:00 - 4:30
Friday, Oct. 20, 3:30 - 5:00 (this session for experienced
Internet users)
Room 362 Memorial Library
ERIC (Education)
Thursday, Sept. 14, 9:00 - 10:30
Friday, Sept. 22, 2:30 - 4:00
Instructional Materials Center
225 N. Mills
Arts & Humanities Citation Index
Tuesday, Sept. 19, 3:30 - 5:00
Thursday, Oct. 19, 6:00 -7:30
Room 362 Memorial Library
MadCat
Introductory Sessions
Tuesday, Sept. 12, 3:30 - 4:30
Wednesday, Sept. 20, noon - 1:00
Advanced Session
Thursday, Nov. 9, 3:30 -5:00
Room 362 Memorial Library
Mills Music Library Hours
LIBRARY STACKS
FALL 1995
September 4.............................................Labor Day
LIBRARY CLOSED
September 5-December 10....................Fall Session
REGULAR HOURS
November 22......................8:00 am-4:45 pm
November 23-24.........Thanksgiving Holiday
LIBRARY CLOSED
December 11-December 22.......Exam Study Period
EXTENDED HOURS
December 23-January 1....HOLIDAY SCHEDULE
December 23-25..............Christmas Holiday
LIBRARY CLOSED
December 26-29..............12:00 pm-4:45 pm
December 30-January 1.............New Year's
LIBRARY CLOSED
-------------------------------------------------------------
REGULAR HOURS
Mon-Thu.....................................8:00 am-10:00 pm
Fri..................................................8:00 am-5:00
pm
Sat...............................................12:00 pm-5:00
pm
Sun..............................................1:00 pm-10:00 pm
EXTENDED HOURS
Mon-Thu.....................................8:00 am-10:00 pm
Fri-Sat...........................................8:00 am-8:00 pm
Sun............................................10:00 am-10:00 pm
AUDIO FACILITY/RESERVES
FALL 1995
September 4.............................................Labor Day
LIBRARY CLOSED
September 5-December 10....................Fall Session
REGULAR HOURS
November 22......................9:00 am-4:30 pm
November 23-24.........Thanksgiving Holiday
LIBRARY CLOSED
December 11-December 22.......Exam Study Period
EXTENDED HOURS
December 23-January 1..............AUDIO CLOSED
-------------------------------------------------------------
REGULAR HOURS
Mon-Thu.......................................9:00 am-9:45 pm
Fri..................................................9:00
am-4:45 pm
Sat...............................................12:00 pm-4:45
pm
Sun................................................1:00 pm-9:45
pm
EXTENDED HOURS
Mon-Thu.......................................8:00 am-9:45 pm
Fri-Sat...........................................8:00 am-7:45 pm
Sun..............................................10:00 am-9:45 pm
Spotlight on Collections
When the Going Gets Tough, the Tough Go Shopping
by Ann Marie Rigler
Last spring, Mills Music Library received over $30,000 in
special, one-time funding for new acquisitions in response to the
recommendations made in the National Association of Schools
of Music accreditation report for the UW-Madison. These funds
permitted us to build the collection in several areas and to
acquire a few sets of scores and sound recordings that we
otherwise could not have afforded. Some of these new materials
are briefly described below. We invite you to stop by at any
time and acquaint yourself with these treasures.
The Hyperion label continues to release compact disc recordings
of the complete piano music of Franz Liszt as performed by Leslie
Howard. The set to date includes many transcriptions of operatic
arias and works of such composers as Beethoven, Chopin, and
Berlioz, in addition to Liszt's original compositions for solo
piano. We will continue to receive additional volumes as they
are issued. The set has received critical acclaim and represents
a herculean effort that no one else is likely to duplicate any
time soon!* Those who become enamored of these recordings can
purchase copies from The Exclusive Company on State Street in
Madison.
Also of special interest to pianists is the Garland Publishing
Company's new ten-volume series, Piano Music of the Parisian
Virtuosos, 1810-1860. This series recaptures the Parisian
musical scene known to Chopin, Liszt, Moscheles, and Franck with
its sampling of compositions by famous and lesser-known pianists
alike. The scores are facsimiles of the earliest French
editions. Critical commentary and fascinating historical details
are provided by editor Jeffrey Kallberg.
*[Gunnar Johansen, former Artist-in-Residence at UW-Madison,
recorded a fifty-album set of Liszt's piano music between
1961-1976. Ed.]
Garland also issued a new fifteen-volume series
on the nineteenth-century American musical theatre. This series
examines works of American origin such as Harriet Beecher
Stowe's famous Uncle Tom's Cabin in addition to popular
productions imported from England and Ireland. These scores are
facsimile editions with critical commentary supplied by some of the
most respected names in American music scholarship. As the
repository for the Tams-Witmark collection, a world-famous archive
of materials on the musical theatre, Mills Music Library played a
key role in the preparation of this landmark series.
Our collection strengths in Americana and musical theatre were
enhanced by our recent acquisition of over eighty piano-vocal
scores from major American musicals and films. Unlike the
Tams-Witmark collection, however, these new purchases circulate
to the public. The titles range from such classics as The Me
Nobody Knows, Carnival, and George M to more recent hits as The
Best Little Whorehouse in Texas, Nunsense, and Miss Saigon.
Movies such as Forrest Gump and Neil Diamond's The Jazz Singer
are represented as well.
Vocalists in search of lesser-known art songs will wish to
explore approximately fifty reprint editions of late
nineteenth-century compositions for voice and piano. Issued by
Recital Publications in Huntsville, Texas, these songs revive the
poetry of such major figures as Goethe, Wordsworth, Tennyson, and
Stevenson, along with more obscure poets, as set by composers of
the Victorian era.
Women composers leapt into greater prominence in our collection
with large orders from Hildegard Publications of Bryn Mawr,
PA; Editions Ars Femina of Louisville, KY; and Furore-Verlag of
Kassel, Germany. The Hildegard company issues works by
such composers as Hildegard of Bingen, Clara Wieck Schumann,
Pauline Viardot, Amy Marcy Cheney Beach, and Ruth Crawfold
Seeger, in addition to Sylvia
Glickman, Margaret Garwood, and other prominent figures of today.
In contrast, Editions Ars Femina specializes in earlier
music, publishing such eighteenth-century composers as
Maria Grimani and Maria Teresa Agnesi. Our purchases from
Furore-Verlag consist largely of the works of Fanny Hensel (ne
Mendelssohn), which coincidentally support the dissertation of
one of our Ph.D. candidates in musicology.
Our holdings in string, guitar, and low brass music were richly
augmented with major purchases from Masters Music
Publications of Florida and Robert King Music of Massachusetts.
These new scores include both solo and ensemble literature issued
as individual titles and in anthologies. The composers
represented are far too numerous to list, but the compositions for
tuba by the Director of the UW School of Music, John Stevens,
deserve special mention. Organists, too, are encouraged to peruse
the many newly-catalogued scores acquired with retrospective
purchasing funds during fiscal year 1993-94.
Our latest pride and joy is a facsimile edition of the Codex
Calixtinus. In addition to its musicological significance, the
Codex is truly a work of art. This magnificent volume
transports the reader back to fifteenth-century Spain with its
pseudo-vellum pages (complete with skin holes!), brilliant color
panels, and elegant calligraphy. The volume resides in our
Locked Case, and patrons are welcome to examine it in-house. Our
copy arrived accompanied by a travel guide for the pilgrimage to
Santiago de Compostela; that volume does circulate and has
been doing so ever since we received it!
Virtually all of the items discussed above can be searched on
MadCat although many have not yet been cataloged and remain
"in-process." When this is the case, simply write down the code
number in parentheses underneath the bibliographic information on
the computer record (for example, ABC1234), and ask a staff
member to retrieve your request. It will take us a few minutes
to locate the item and prepare it for check-out, but you will
soon be on your way with your selection in hand.
Despite the limitations of our budget for fiscal year 1995-96,
our commitment to building as strong a collection as possible
remains a top priority. To submit your requests for new
materials, please contact Ann Marie by phone at 263-1884, by
email at rigler@macc.wisc.edu, or stop in to see her at the
library. If you are a faculty member, be sure to specify whether
the item is needed for course reserves and, if so, for which
semester. Remember, though, that we welcome requests or
suggestions from anyone.
Major Donations Enhance Music Library's Collections
David Peterson retired this past spring from his duties at the
University of Wisconsin-Extension. Beginning in the early 1960s,
Dave wrote thirty-eight musical shows and plays based on
Wisconsin themes which have received an incredible 3400 (!)
performances in the United States and Europe. Peterson donated
his entire creative output to the Music Library including
performance materials for all the shows, audio and video
recordings of some of the shows, and a film produced for public
television.
The library has recently received the complete manuscripts of
composer Edna Frida Pietsch (1894-1982), a Milwaukee native who
taught composition at the Wisconsin Conservatory of Music and had
pieces performed by the Milwaukee Symphony Orchestra and the
Chicago Symphony Orchestra. While no complete list of her works
is presently available, a quick glance at her scores reveals a
variety of chamber music as well as a viola concerto and a piano
concerto.
Two large record collections of folk and ethnic music were
donated by the families of Robert Andresen (Duluth, MN) and Greg
Zurawski (Stevens Point, WI). Both men, recently deceased, were
avid collectors of 78 rpm and LP ethnic recordings. The Andresen
collection numbered over 3400 discs but also included over ten
linear feet of printed folksong music collections, photographs,
clippings, and biographical information on musicians. The
Zurawski donation totaled over 1200 commercial 78 rpm records and
2000 cassettes of live performances and radio broadcasts. James
Leary of the UW Folklore program was acquainted with both men and
served as the conduit which brought the donations to the library.
With the addition of these two collections, Leary noted that the
Mills record collection becomes "the nation's finest repository,
outside the Library of Congress, for the folk musical traditions
of European-Americans."
New Link to Internet Music Resources
A "Music Resources" menu pick has been established on the
library's gopher to provide a direct link to many useful sources
of electronic information. This new feature will facilitate
access to music information on the Internet, and also provide a
handy place to check for such local information as the library's
hours or the School of Music Calendar. In the column to the
right is a complete hierarchical menu of the accessible files.
Although Music Index could not be made accessible here, the
periodical index UnCover is readily available. When you select
UnCover, a companion file called "About Music Resources in
UnCover" becomes available as well. The "About" files provides a
list of all the music journals UnCover indexes and also indicates
which of these journals are available in the Music Library.
The aim is to make Internet resources easily accessible to
faculty and students, and any comments about this initiative are
welcome. The Music Library will soon have its own World Wide Web
home page which will also provide links to the music resources
noted here plus many others.
Access the "Music Resources" through the main menu of either the
University of Wisconsin-Madison Electronic Library or WiscInfo
with the following sequence of choices:
--Library Catalogs and Services
--Journal and Information Databases
--Music Resources.
Music Resources
About the Mills Music Library
The Wisconsin Sheet Music Database
Bibliographic/Research Databases
Beethoven Bibliography
MRIS - Institute for Music Research
Music and the Brain Information Center
RISM Music Manuscripts
UnCover (Periodicals index)
About Music Resources in UnCover
UnCover
Online Music Journals
Ethnomusicology Research Digest
Music Theory On-Line
Research Studies in Music Education
Sheet Music Databases/Indexes
American Song Lyrics and Sheet Music Index
Country Music Song Index
Hawaii Sheet Music Index
Lester S. Levy Sheet Music Collection
Popular Music Index
Stitt-Harper Sheet Music Collection
University of Kentucky Sheet Music
Wisconsin Sheet Music Database
Interesting Gopher Sites for Music
Library of Congress LC Marvel (Arts)
Rice University (Music)
Other Music Resources
Lyrics Archives
Musical List of Lists
Popular Music Resource Guide to the Internet
School of Music Bulletin
School of Music Calendar of Events
Bagatelles
MadCat Enhancements
The General Library System continues to make improvements and add
new features to MadCat, the library's computer catalog. The most
recent change occurred this past August as entries for the
Library of Congress and the National Library of Medicine
classifications became searchable. For music materials, this
means that all books, scores, and periodicals can be searched
this way. The Music Library's recordings, on the other hand, can
not be accessed in this manner.
Patrons can initiate a class search by using the "cl" qualifier
just like they already use the "au" qualifier for author
searches and the "ti" qualifier for title searches. For example,
the search
cl M 1503 [space after "cl" and after "M"]
retrieves all the opera vocal scores in the collection.
Searching without the qualifier is also an option. Simply typing
"M 3" produces a list of composers' collected works.
Class searching can be combined with other search terms as well.
The search "M 1001 and Haydn" produces a list of scores for Haydn
symphonies, "ML 410 and Debussy" retrieves Debussy biographies,
and "MT and trumpet" gathers all the methods and etudes for
trumpet.
Only the larger class numbers, not call numbers specific to an
individual book, are searchable. For example, the search "ML
410 B4 T33" [Thayer's Beethoven biography] will not work. The
computer will only recognize the initial alphabetical portion of
the call number and the following numeric portion.
Another recent enhancement to MadCat permits fewer keystrokes to
get FULL, LIST, or BRIEF screen displays. Regular users will be
happy to know that "f" or "fu" can be substituted for FULL, "l"
or "li" for LIST, and "b", "br" or even "breif"
[yes, spelled incorrectly!] for BRIEF. Most keyboards have
function keys set up for these commands also.
.What's New?
With a few simple keystrokes in MadCat, you can quickly discover
what new materials have been received by the Music Library or for
which orders have been placed. Try the searches below. The date
refers to the year of publication, not the year cataloged, and
any date or a range of dates may be substituted.
To see information on new scores, type:
form sco and loc mus and date 1995
To see information on new recordings, type:
form rec and loc mus and date 1995
To see information on new videos, type:
form vid and loc mus and date 1994-1995
To see information on new books, type:
form bks and loc mus and date 1995
[The computer's tempo during this search is an Andante, if
not a Lento].
MadCat is updated monthly. The date of its latest record is
entered at the bottom of the MadCat Welcome screen.
Database Awareness
Previous issues of the Jongleur have detailed numerous electronic
databases especially helpful for research in music. Two
additional databases are mentioned here which are accessible
through the campus Electronic Library.
Expanded Academic Index covers the years from 1992 to present in
the areas of astronomy, religion, law, history, psychology, the
humanities, current events, sociology, communications, and
general sciences. Abstracts or full text to many articles are
available online.
PCI - Periodicals Contents Index examines over 250 North American
journals from the years 1844-1960. While there are no
abstracts, its usefulness lies in its many retrospective
citations. For example, a keyword search on the term "music"
brings up over 24,000 entries.
Remote Shelving
Older volumes of selected periodical titles have been removed
from the regular stacks and placed in remote shelving. Space was
needed in the stacks for newer and more heavily used titles.
MadCat searches on these titles will display a note alerting you
to the specific volumes now in remote shelving (noted below). To
use any of these, ask a library staff member for assistance.
American Record Guide ML1 A725
v. 12 (1946) - v. 43 (1980)
High Fidelity ML1 H52
v. 5 (1955) - v. 19 (1969)
Music ML1 M2269
v. 1 (1891) - v. 22 (1902)
Music Journal ML1 M78
v. 1 (1943) - v. 39 (1981)
Musical Courier ML1 M942
v. 93 (1926) - v. 95 (1927)
v. 126 (1942) - v. 163 (1961)
Stereo Review ML1 S89
v. 26 (1971) - v. 43 (1979)
Information File
It's too good to toss, but too slight to catalog. So, it goes in
the Information File.
Bursting from the file cabinets stationed next to the reference
desk are materials in the library's self-service Information
File. Packed with composer's biographies, publisher's catalogs,
newspaper clippings, bibliographies, and much more, the file is
organized by subjects which range from Acoustics to Contests and
Horn to Zither.
Take a peek.
Circulation Policy Changes
by Peg Brown
This brief (but exciting) note is to inform you of some
circulation policy changes. A few of these policies will go into
effect at the beginning of fall semester 1995, while others will
be implemented over the course of the academic year. The good
news: you may still check out materials. Now, the other news. .
. .
In response to a campus-wide move towards eliminating automatic
renewals and indefinite loans, we can no longer renew sound
recordings. They may be checked out by School of Music faculty
and TAs for a semester, and at the end of that loan period the
recordings must be returned to the audio facility. Any
outstanding items will result in the blocking of your borrowing
privileges across campus. This change begins with items
checked out now.
Print materials will have a maximum circulation period of two
years (including renewals) and all materials will need to be
renewed in person. Memorial Library (the system through which
the
Music Library's print materials circulate) is exploring the
option of a one year circulation of items to faculty, with one
(in person) renewal. This new policy may take affect as early as
December 1995. We will keep you posted as policies change.
Although this may not initially seem like good news, it will
insure increased availability of materials.
If you would like a printout of the materials currently checked
out to you, please see me.
An Old Friend Gets a New Look: The New MGG
By Steve Kurr
Brenreiter, with the aid of editor Friedrich Blume, published
Die Musik in Geschichte und Gegenwart, known affectionately as
MGG, in fourteen volumes from 1949-1967 (with two supplemental
volumes and an index appearing in 1973, 1979, and 1986,
respectively). This general music encyclopedia set the standard
for reference tools in German, if not in all languages. Now,
with editor Ludwig Finscher, Brenreiter has teamed up with
Stuttgart publisher Metzler on a ten-year project to produce a
new version of MGG touting it as "the most comprehensive music
encyclopedia in the world."
The new MGG consists of two parts: the eight-volume "Subject
Encyclopedia" and the twelve-volume "Biographical Encyclopedia."
Brenreiter-Metzler is releasing these two parts consecutively at
a rate of two volumes per year, the "Subject Encyclopedia" from
1994-1998, and the "Biographical Encyclopedia" from 1998-2004.
The promotional material for this new edition states that "the
vast majority of entries have been newly written [and] all
articles of the first edition have been revised, amended and
up-dated." The "Subject Encyclopedia" covers such topics as
aesthetics, musical genres, musical periods, music theory,
manuscripts, instruments, cities and countries, church music,
dance, ethnomusicology, jazz, pop, and rock music. The
"Biographical Encyclopedia" contains information regarding
composers, as well as performers, writers, printers and
publishers, scholars, theorists, critics, and instrument makers.
In addition, most articles include an extensive bibliography.
It will be a few years before scholars will be truly able to
determine how much the new MGG improves upon the old one. At
this time, Mills Music Library has received only the first two
volumes of the "Subject Encyclopedia" ("A-Bog" and "Bh-Enc");
researchers must wait, for example, three years for the Bach
article, and Mozart will probably not appear until after the turn
of the century. While the bibliographies are certainly useful
to those people who do not read German, the small type and
paragraph format (rather than the list format found in the
NewGrove) make them somewhat cumbersome to read. Overall,
however, if the success of the first edition is an indication,
the new MGG will be a front-line reference tool to which
researchers will turn throughout the coming years. 1
No Free Lunch . . .
or Printing
[The General Library System released the following statement in
August.]
PRINTING FROM LIBRARY COMPUTER WORKSTATIONS
Beginning Fall 1995 many UW-Madison libraries, [including Mills
Music Library] reference departments, and library computer labs
will no longer provide free printing.
REASONS
The amount of paper wasted in a free printing environment is
enormous - to the point of being environmentally irresponsible.
Electronic information is becoming more widely available and the
demand for computer printing is increasing.
With the rapid growth of electronic publishing (full-text
journals and books), the demand for computer printing could match
the demand for library photocopying. Library users on campus
currently photocopy millions of pages each year.
OUR GOAL
Our goal is to offer high-quality, low-cost printing services for
educational use and research. These services should encourage
responsible printing decisions, save trees, and enhance options
for
library users.
MAKING PRINTING WORK
We want the process for paid printing to work smoothly. Most
sites will provide laser printers with debitcard technology for
handling the seven-cents-per-page charge. There may be slight
variations from site to site in terms of how to initiate print
jobs. Staff can assist you with printing. 1
Imprint
A Checklist of Recent Faculty and Student Publications and
Recordings
Compiled by Tim Noonan and Steve Sundell
With this issue, we add scores to our checklist and complete our
retrospective look at faculty and student publications to 1990.
Previous columns have cited books, articles, audio recordings,
and video recordings. Publications in any of these formats which
have appeared since the last issue of the Jongleur (January 1995)
are listed here.
Scores
Stevens, John. Fabrics for Brass Quintet. Bulle, Switzerland:
ditions Bim, 1991.
______. Fanfare for a Friend for 5 Part Tuba or Tuba/Euphonium
Ensemble. N.p.: Tuba Press, 1993.
______. Liberation of Sisyphus for Solo Tuba and 8 Part
Tuba/Euphonium Ensemble. Bulle, Switzerland: ditions Bim,
1990.
______. Moondance for Tuba Quartet. Bulle, Switzerland:
ditions Bim, 1991.
______. Seasons for Brass Quintet. Bulle, Switzerland:
ditions Bim, 1991.
Thimmig, Les. Bluefire Crown III for Oboe, Bass Clarinet, Violin
and Marimba. Newton Centre, MA: Margun Music,
1990.
Articles
Bowles, Chelcy. "Structuring Success in the Private Lesson:
Applying Goal-Setting Techniques from the Classroom." American
String Teacher 45, no. 3 (Summer 1995): 59-60.
Dunbar, Julie. "Support Network Alignment in the Early
Development of School Bands: A New Interpretation of the Band
Contest Era." Dialogue in Instrumental Music Education 18, no. 2
(Fall 1994): 34-52.
Grieve, Tyrone, and Jan Karon. "A Guide to Violin Accessories."
Instrumentalist 49, no. 10 (May 1995): 52-60.
Jensen, Janet L. "Connected Learning: Toward an Holistic Approach
to String Pedagogy." Dialogue in Instrumental Music Education
18, no. 2 (Fall 1994): 353-59, and 19, no. 1 (Spring 1995):
20-26.
Radano, Ronald M. Review of We'll Understand It Better By and By:
Pioneering African American Gospel Composers, edited by
Bernice Johnson Reagon. Journal of the American Musicological
Society 48, no. 1 (Spring 1995): 144-154.
Schaffer, John Wm. "Harmony Coach: An Exploration of
Microcomputer-Based Intelligent Tutoring Systems in Music."
Journal of Computer-Based Instruction 18, no. 1 (Winter
1991): 30-36.
Swack, Jeanne. "Quantz and the Sonata in Eb Major for Flute and
Cembalo, BWV1031." Early Music 23, no. 1 (February 1995): 31-53.